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Sunday, May 13, 2012

Fixing the Big Uglies: The Iris Incident

This is the first in a series of posts I'll publish randomly throughout the rest of spring and into summer. They'll detail the garden makeover I began last fall and completed this spring. Each new post will begin with the phrase Fixing the Big Uglies and show before and after pictures.

When I was younger I was one of those irritating and always slightly grimy kids who wanted to know why everything happened the way it did. As I grew older I was able to find my own answers about the physical and natural world and changed my fascination to why people acted the way they did. As curious as I was about the motivators of the people around me, it was my own tendency to stick the wrong plant in the wrong spot that was the most intriguing. Despite my best efforts, I had become a master of misplacement and was forever moving plants from place to place, with the hopes that I would finally get it right. I underestimated the growth potential of trees planted in holes full of compost and the ability of water loving plants to render a wet spot a virtual desert to other plants also competing for moisture. While I may have been interested in the behavior of others, I couldn't even figure out my own.

Several years ago when my massive river birch was but a strappy sapling, I created a bed around it and filled it with hosta and Siberian iris. Were these shade loving iris or sun loving hosta? Nope. I justified the planting location on the rationale that the hosta were planted on the side of the tree that was also shaded by an equally smallish crepe myrtle and therefore would receive more shade while the iris were planted on the side that opened to grass and sunny skies. Did it occur to me that my river birch had branches on both sides of its trunk that would grow long and lanky like a hungry teen in its moist, fertile spot, creating a swath of shade large enough to pitch a small tent under? Nope. As a matter of fact, I felt a bit smug in the juxtaposition of the garden layout and was sure lines of gardeners would form at my gate to see the sun loving iris growing so happily next to shade loving hosta.

The line forms here:


 Aahh! Such beauty! Cramped, anemic hostas in a tiny bed and a sea of iris collapsus,
 the newest shade hating cultivar. 
Refund, please!


Thanks to the water sucking super power of my 'Heritage' river birch, 
this once wet area now rivals the Sahara for sheer dryness.

Fast forward to fall 2010 - The iris have been dug up and the hole filled with compost. In a moment of brilliance, it has finally occurred to me to plant the sun and moisture loving iris in the moist, sunny bed across from the river birch. Extra iris are given to a friend and I wait out winter wondering if the transplants will survive. 

Summer 2011 - The iris poke from the ground like green spaghetti, limp against the sweetspire, shocked at the sun and confused by the moist soil. They grow, weak and flaccid, but do not bloom and I spend the summer avoiding them, choosing to remember the one blossom filled spring before the birch began to race toward the skies, its branches filling the garden with speckled shade. 

Fall 2011 - Perhaps it was the cooler air or time needed to settle their roots, but by fall the iris were erect and tall, sabers of green next to the rotund abundance of the sweetspire. They hadn't collapsed and died but were thriving. If I could make them happy, perhaps I could finally see my garden as it was instead of as I imagined it to be and create the changes that were overdue. Out came the shovel, away went the grass, and a new river birch garden was created.  

Spring 2012


Siberian iris



It was windy when I took this picture but after a week of overcast skies, I went ahead and took a few pictures while the sun was out. This bed, known as the dogwood garden, is across a grass path from the river birch garden. White trumpet lilies, heliopsis, sweetspire, Siberian iris, 'Johnson's Blue' cranesbill geraniums, 'Rotkugel' oregano (in front of the wind blown yarrow), and many other perennials fill this moist, sunny bed.  


Part of this bed receives high filtered sun, while the edge of the bed (not shown in this photo) receives full sun. Phlox, rudbeckia, daylilies, blue mist flower, hosta, balloon flowers, catmint, Persian cornflowers, and variegated iris and sage pilfered from around the garden last fall, are just a few of the perennials that fill this bed. 


I have a family of blue birds nesting in this house. They rarely approach the bird house if I'm on this side of the garden but I'm hoping the babies aren't as shy as the parents.





The river birch is over 30 feet tall. Our yard's natural flood plain begins just outside its drip line. By expanding the garden over this plain, I was able to create a moist, sunny  bed that receives filtered afternoon shade. The area to the right of the birch is filled with plants that can survive dry shade such as epimedium, Bowman's Root, and euphorbia. Two small Peggy Martin climbing roses are beginning to clamber up the fence in the sunniest part of the garden near the gate. 



I added two more hostas this morning. 


Bowman's Root and thalictrum




Dogwood garden and part of the river birch garden

Thursday, May 10, 2012

A Caterpillar Compliment

Every year in late spring I begin searching my rue, curly parsley, and fennel for swallowtail butterfly caterpillars. Every time I find one, I feel blessed. That may seem cliche, but it's true. Caterpillar compliments are always my favorite. 


Swallowtail butterfly caterpillars in different stages of development in the smokey fennel. I counted ten caterpillars. Smokey fennel can be found in the herb section of  most garden centers and is usually very inexpensive.



This is my NanoFarm where I'm growing the fennel, tomatoes, ground cherries, carrots, and sweet potatoes. My sweet potato slips haven't come yet so a few pots are still empty. The carrots have sprouted but aren't in this picture. Birdhouses hang from the shepherd's crooks. The giant shrub in the background is a Rose of Sharon.


My sunny-side bed in the late afternoon light. This picture was taken from the dry river bed garden which was just added in April. Only part of the river bed garden is visible in this photo and the new plants are still tiny.

Sunday, May 6, 2012

Explosion at the China Factory: Garden Art for the Artistically Inept

I once showed a friend a picture of a beautiful handmade birdhouse.  Exquisitely   crafted and sold through an art gallery, it was the work of an artist with a unique talent. While I dreamed up ways of paying for it, she looked it over and casually remarked, "I could make that." You can?? I was shocked. Not only did I have no idea of how to begin such a project, I didn't want to. I simply wanted to own it.

Last summer, in the midst of realizing my garden was in need of a huge makeover, I decided it also needed a little funk, soul, groove, mojo. Call it what you will, but my garden needed a jolt of personality, especially the front porch. Shady and often forgotten about while I concentrated on the larger garden in the back, my front porch was a dismal desert of blahness. In my desperation to find something that would grow without needing an aquatic IV, I stuck birdhouses in large pots, planted creeeping bramble in the front, and called it a day. But what I really wanted was a cool piece of art I could stick on the front porch to add some color and funk. Interested in mosaics, I soon realized large pieces were vastly beyond my garden budget. In a moment of stress and sleep deprivation induced insanity, it occurred to me that maybe I could make my own.


My mosaic pot is filled with periwinkle (vinca) vines. They are still quite small but the enormous 'Baltyk' clematis is happily growing over the top of the pot. A small round birdhouse is potted in the grey urn, but the clematis has devoured that, too.

I began an internet search of mosaic garden projects only to discover web pages with multipage directions requiring supplies I wasn't interested in buying and didn't know how to use. But I'd seen enough pictures of incredible mosaic art, that I just kept searching for directions that made sense to someone as artistically challenged as myself. When I finally found them, they went like this: "Take a hammer and smash stuff and then get concrete and stick the stuff to other stuff." I'm not sure what rocket scientist wrote these heart softening words, but I figured if that was all it took, I could possibly succeed.

A few trips to the thrift store and Lowe's later, I was ready to begin. I had decided to wrap the ceramic plates in newspaper, stuff the bundle in a plastic bag, stick the bundle in an empty storage container and then begin smashing. Then I waited. Several heated conversations later with my angst-ridden teenage son, I headed to the basement, a hammer in hand. Clad in pajamas, a dog chewed baseball hat, and goggles, I grabbed the plates and started smashing. The release was profound, cathartic, and wonderfully loud. What I lacked in artistry, I made up for in teenagers. The final plates were smashed by my daughter and her best friend after both having emotional, "I hate boys because they smell and are stupid" days at school.

Creating my mosaic took a year and is best viewed from a distance. From across the street, I am the mutant genius lovechild of Picasso and Michelangelo. From the porch, I am a lunatic with a hammer and too much concrete. But if I can do it, ANYBODY can do it.


My pot came out just like me: colorful and a bit funky.


I didn't bother to grout it since it was so uneven and the ceramic plates were of different thicknesses.


Step One: Buy a pot.  


Step Two: Go to a thrift store and buy ceramic/china plates. Tell the sales clerk not to wrap them since you're going to smash them, anyway. Enjoy her confused expression. 


I chose plates with bright colors in either florals or solids.



I used the round lip on these plates to form the edge of the design near the top of the pot.


Step Four: Smash the plates!


I didn't use the green glass pieces since they didn't show up well against the concrete.


I eventually separated them into color families. 


Step Five: Mix equal parts wood glue and water and then brush onto the surface of your pot. Let it dry.
Once the pot had been primed with watered down wood glue, I mixed this with enough water to make a thick mixture. Using a cheap triangular shaped trowel I found with the masonry supplies at Lowe's, I applied a blob of concrete onto the pot, spread it fairly evenly and then stuck on a piece of smashed ceramic plate. It was really easy.


I turned my front porch into a workshop.


I added the flat marbles because I wasn't sure I'd have enough ceramic pieces. I like the contrast of their smoothness against the rough texture of the concrete.


Once I was finally done, I stuffed the bottom of the pot with bags of sand to give it stability. 


I wedged a piece of styrofoam into the pot above the sand to give the flower pots a level surface to sit on.


I found two pots in the garage to use for the plants. Since they won't be visible, I didn't care what they looked like.


The pot doesn't have a drainage hole, so I put an aluminum tray leftover from the project under one of the pots and an old plastic drainage tray under the other.


Goodbye, Dismal Desert of Blahness! Hello, Happy!

NOTE: I discovered after posting this that several of the plates I used had been donated by a close friend to the thrift store where I went shopping. Now I love my pot even more!

Wednesday, May 2, 2012

Slightly Wordless Wednesday: An Afternoon Ramble

Every afternoon after work I pop into the garden to see what's new. Lots of rain and warm temps have worked their spring magic and the garden is beginning to bloom.

For this post I'm focusing on macro shots. I'll be back to long view shots with my next post.



Columbine


Chives and False Solomon's Seal as seen through the dog run fence


Variegated sedum and amsonia


 Amsonia 'Blue Ice'


Baptisia 'Prairie Blues'


'Night Owl' climbing rose


Wonderfully fragrant Cheddar pinks (dianthus)


Western Indian Physic (porteranthus stipulaus


Pink pincushion flower grow near the Golden Alexander's (zizia aptera) in the shade of a crepe myrtle.


 Variegated iris and tiny blue eyed grass





 Red and yellow geums


Mr. Toad near the mountain mint (pycnanthemum) and phlox


'Westerland' climbing rose



 'Chester Thornless' black berries, full of plump buds